{"id":6568,"date":"2022-12-01T07:24:42","date_gmt":"2022-12-01T07:24:42","guid":{"rendered":"https:\/\/phal.angst.band\/?p=6568"},"modified":"2023-11-10T07:25:07","modified_gmt":"2023-11-10T07:25:07","slug":"state-of-guitars-on-whiteout-video","status":"publish","type":"post","link":"https:\/\/phal.angst.band\/index.php\/2022\/12\/01\/state-of-guitars-on-whiteout-video\/","title":{"rendered":"State of Guitars on Whiteout video"},"content":{"rendered":"<blockquote class=\"wp-embedded-content\" data-secret=\"NU9A8Pue78\"><p><a href=\"https:\/\/stateofguitars.net\/phalangst-whiteout-single\/\">Phal:Angst &#8211; Whiteout (Video Premiere)<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/stateofguitars.net\/phalangst-whiteout-single\/embed\/#?secret=ASAW2VAm3g#?secret=NU9A8Pue78\" data-secret=\"NU9A8Pue78\" width=\"500\" height=\"282\" title=\"&#8220;Phal:Angst &#8211; Whiteout (Video Premiere)&#8221; &#8212; State of Guitars\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p>Whiteout (Music Video 2022)<br \/>\nPhal:Angst<br \/>\nIndustrial Post Rock<br \/>\nThe name like a warning sign. The title like a threat. And the video like a declaration of solidarity.\u00a0Noise Appeal Records\u00a0(Dim Prospects,\u00a0Baits,\u00a0Wipeout) presents \u201eWhiteout\u201c, another part of a thoughtful and artistic music video series.<br \/>\nBack in spring-time,\u00a0Phal:Angst\u00a0released the previous clip entitled \u201eOn The Run\u201c from \u201ePhase IV\u201c (Bloodshed666), that included scenes from \u201eHardwire\u201c. It featured\u00a0Simon Fr\u00fchwirth\u00a0(\u201eNevrland\u201c) in the main role. This time, they have three protagonists in front of the lense of\u00a0Alfred Wihalm\u00a0(desolat): Mentl, Sarah and Lisl.<br \/>\nWhile the title might rhyme with \u201eWhiped Out\u201c from\u00a0OFF!\u00a0and describe the weather phenomenon used to create suspense in \u201eFargo\u201c, the song \u201eWhiteout\u201c from the upcoming album of the same name talks about \u201apeople and staring at them and their alienation\u2018. \u201eClouds are falling\u201c a raspy voice recounts between whispering and screaming, still \u201elooking for salvation\u201c.<br \/>\nIn the video, the music comes from vinyl like in\u00a0Mot\u00f6rhead\u2019s\u00a0\u201eRock Out\u201c, carefully put on and cleaned with a brush next to\u00a0D\u00ffse\u00a0and other bandlogos. The medium of choice, as\u00a0Henry Rollins\u00a0likes to\u00a0philosophizeabout it. In the still black and white shots, many more details can be found all the time.<br \/>\nAnd so pictures from \u201eOn The Run\u201c reappear like some of \u201eKing Of Queens\u201c, while the actions associate drug abuse or depression, \u201abut maybe also tiny moments of empowerment\u2018. The piano accompanies the events softly, dark yet beautiful, until the eyes crack open and distortion fills the air.<br \/>\nDirect looks into the camera seize the viewer at the end, while the TV shows white noise. The final freeze frame of the end credits is a smile. And smiling is contagious. As \u201eWhiteout\u201c draws a certain image of desperation similar to \u201eLet Them Fall\u201c of\u00a0Saint Vitus, it still contains some hope.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Phal:Angst &#8211; Whiteout (Video Premiere) Whiteout (Music Video 2022) Phal:Angst Industrial Post Rock The name like a warning sign. The title like a threat. And the video like a declaration of solidarity.\u00a0Noise Appeal Records\u00a0(Dim Prospects,\u00a0Baits,\u00a0Wipeout) presents \u201eWhiteout\u201c, another part of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"_links":{"self":[{"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/posts\/6568"}],"collection":[{"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/comments?post=6568"}],"version-history":[{"count":1,"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/posts\/6568\/revisions"}],"predecessor-version":[{"id":6570,"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/posts\/6568\/revisions\/6570"}],"wp:attachment":[{"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/media?parent=6568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/categories?post=6568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/phal.angst.band\/index.php\/wp-json\/wp\/v2\/tags?post=6568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}